The monthly magazine of the International Aerobatic Club

    Volume 29 - Number  12

    December 2000
     


    SO YOU WANT AN AEROBATIC AIRPLANE?
    Rob Dorsey IAC 389

    Let's face it. The task of choosing an acrobatic airplane is a fantastically daunting one. Faced with the myriad of choices and the economic fact that few of us can afford what we really want, it is a wonder that more of us don't just walk away. While it would be pre-sumptuous, bordering on impudent, to attempt to cover such abroad subject in any sort of comprehensive way in a magazine article, we can at least try to give you some guidance for starting the search and perhaps some food for thought.

    Ask Yourself Some Questions
    However, before you even pickup your first copy of Trade-A-Plane, you desperately need to make a few decisions. Whatever you do, don't treat these lightly. You will be stuck with the out-come and 'airplane hopping" is a particularly expensive way to find out what you really want.

    What are your ambitions? Are you interested in a recreational, multi-use airplane for weekend flying or do you see yourself interested in competition and, if so, to what level?

    What are your skills? Since money is always an issue, there is a bit of a trap laid for the newbie in that some of the most attractive and affordable acrobatic mounts, headed by the Pitts S-1series of homebuilts, are demanding and unforgiving both on the ground and in the air. If you have no tailwheel time, be prepared for a significant transition to master these little monsters. If you do, however, the rewards in bang for the buck are significant.

    Do you need a two-place airplane? The cost goes up rapidly in the move from single to dual seat configuration. Weigh the added utility against the costs and don't be overly swayed by the facade of making your wife think that it's really for both of you. 
     
    Are you interested in building your own airplane? Don't even  consider it if you think that you will save either time or money. Most homebuilts are sold for less that the sum of their parts and NO credit is paid for your wonderful craftsmanship. Also, if you sell your homebuilt there are some significant legal liabilities that go along with sale, so assume that you will never be able to sell your creation unless you are so well off that you can fight off litigation arising from a post-sale accident or you are judgment proof. This is not paranoia. So long as we live in a society that believes if you stick a screwdriver in your eye, then Stanley tool company should  make you and all of your relatives wealthy, there exists a danger of loosing the farm to the estate of that fool who decided to try his first snaproll on takeoff in your airplane. Instead, build if you have an enduring dream, you want to realize that dream and building is the only may do it. Building allows you to customize your airplane to the max but you will probably need to live with the results.

    Do you feel that you need a certificated airplane? Personally I have owned quite a few homebuilts which I purchased rather than built and generally found the quality to be equal to or better than factory. (Did you know, for instance, that factory Pitts have galvanized steel firewalls? Most homebuilts have stainless.) But if you have thoughts of instructing in your airplane or renting it out, under the current rules, you need a certificated airplane.

    So, we can distill it down to a few good rules:

    1. Be honest with yourself about your skills and abilities.

    2. Have realistic goals.

    3. Make the decision early whether you want a single- or two-place airplane.

    4. Don't be afraid of building but do be aware of the time required to complete your dream, then double it. 

    5. Unless you are dedicated to cost control, building can cost as much or even more than a flying airplane.

    6. If purchasing a homebuilt, have a pre-purchase inspection done by someone competent and familiar with the type.

    7. As the acrobatic capability of an aircraft increases, its suitability for other uses decreases. Don't expect a multi-role aircraft to be hyper-aerobatic. Likewise don't expect a world-beater to be suit-able for weekend touring.

    The job here is to be honest with yourself. I personally have known folks who have spent years building their "dream" airplane only to be disappointed, either by performance or handling qualities or both.

    Homebuilts
    Amateur built aircraft, built either by you or someone else, perhaps offer the greatest value per dollar in an acrobatic air-plane as long as the construction and finish are kept to at least production aircraft standards. And, if you build it, you are the IA! You can do your own maintenance and annuals. If you have the yearning, (and the skills) you can also design your own aircraft (as we did) or modify an existing design. Homebuilding provides a freedom of expression that production airplanes don't, if you're up to the task.

    Trying to cover the range of successful, acrobatic homebuilts would take far more space than allocated here. But, you might consider a couple of suggestions. The classic Steen Skybolt is, if properly built, a safe and able first acrobatic airplane. In he larger engine versions it is capable of flying through the Advanced category of competition, although probably not competitively, and is docile and without any bad habits. Prices are very reasonable and it pro-vides two place utility coupled with decent cross-country speed. The second seat is often a requisite for selling the owner-ship idea to that significant other. Other biplanes like the EAA Acrosport II and Stolp Acroduster II are similar incapability and performance. The Skybolt may carry a slight edge, though, since it shares the same airfoils on its upper and lower wings with the Pitts.

    The new generation of kit air-planes with at least some aerobatic capability like the Van's series of all metal monoplanes, offer the recreational acrobatic pilot a fine cross country machine with short field potential. They are capable of recreational aerobatics in careful hands but their clean airframes which provide all that speed and efficiency, coupled with light, responsive controls can lead to overstresses if rough hands encounter a blown maneuver or split-S.

    Factory Built
    New or older, certificated air-planes offer the utility of being able to be used for instruction at the cost of the regulatory requirement that almost all work on the airplane be done by an A&P plus the added joy of trying to find a qualified IA for the annual. Factory built air-planes also tend to offer higher resale and value retention. 

    Any discussion of factory built airplanes, of course, brings to mind two groups, the Pitts series of single- and two-place biplanes and the Citabria/Decathlon family of high wing monoplanes. These airplanes could not be more different in performance or flying qualities. The Citabria and Decathlon designs based on the old Aeronca Champ 7-AC are docile trainers capable of com-petition with good cross-country capability. They also have excellent investment value. I personally bought a 1974 Decathlon in 1978 for $16,400 and that same airplane, wearing the same fabric and with a 1,000+ hour engine is bringing close to three times that amount! 

    The Pitts series of biplanes, which includes both single and two seat versions, are capable of Unlimited level aerobatics but at the price of much more demanding pilot skills. The Pitts also retains its value well.         
       

    Vintage Aircraft
    Mostly biplanes, reeking with nostalgia and the joy of parts hunting, the vintage types offer the pride of owning a piece of aviation history coupled with safe, low-G, challenging aerobatics. Fun to own and fun to fly, these old birds often make the perfect choice as a multi-role airplane.

    The most obvious types are the Stearmans and Wacos which were produced in such large numbers. These have the advantage of being able to scratch three itches. They are aerobatics, antique warbirds. They allow the owner to fit into all three categories of sport aviation including competition through the Sportsman level-in all a good choice. 

    On the edge of the availability circle are the fantastic Bücker Jüngman and Jungmeister. These are the best of the vintage aerobatic types and have handling qualities that set them apart from all others. The Bückers, products of the marvelous mind of Carl Bücker who designed the two for the German Eierman Luftsportzenbande (sport flying clubs) in the mid-thirties, they became the Luftwaffe's primary trainer throughout the war. They were built by the Czechs and Spanish, as well the Germans, and therefore can occasionally be found. Most American Bückers have been   converted to a Lycoming four cylinder engine for added power utility and, while both of those goals are achieved, the lovely lines of the inline European engined version are changed.

    While on the subject of vintage European biplanes we must mention the Belgian Stampe. Throughout the 1940s and 50s, this two-place, all wood-trainer won the hearts of the entire continent and even today the center of a dedicated aerobatic competition, the Coupe D'Anjou, a contest in France for Stampes only. Soft, docile, and easy to fly, the Stampe is an excellent choice for an entry level acrobatic airplane. If you want to see some Stampe flying, rent a copy of the film High Road to China, in which two Stamps masquerading as WWI Fighters, flit all over the Hindu Kush. They were flown in the film by Eric Miller and David Perrin (who lost his life during filming in a liaison helicopter accident).

    In this class, too, fall the wonderful clipped wing Cubs and Taylorcrafts. These modification of classic American light lanes are our best offerings for maximum bang for the buck inn acrobatic mount.

    Foreign Aircraft
    With the break up and democratization of the former Soviet Union, the West suddenly found a number of wonderful aerobatic airplanes available at reasonable prices. These magnificent machines are capable, exotic, and fine examples of an all-out state effort in engineering and manufacturing, and resigned to WIN. They are, however, not U.S. certificated and as such must be licensed in the Experimental Exhibition category which carries with it some restrictions. Experimental Exhibition aircraft are operated under Operations Specifications issued by the FAA. At the very least you can expect a "practice area" out of which you may not venture without notifying your local FSDO. These are normally quite large, 300 nautical miles in radius or so and the notification can range from dropping them an e-mail or fax to advise of your plans to a formal request for approval.

    Rarely, some Operations Specifications have allowed a tiny practice area or a 50 mile radius but that is not the rule. Still, the utility of your air-plane will, to some extent, hinge on the deal you cut with the FAA inspector who grants your Ops Specs. But, don't be dissuaded. All the Yak 55s and Zlins are operated under these certificates and the FAA has become more reasonable on the lower powered (under 800 hp) foreign aircraft.

    The higher performance vintage acrobatic types like the wonderful Zlin 226, 326, and526 series of airplanes can be flown through Advanced although generally outclassed as many in this category are flying world-class plastic. We used to use the metaphor "iron" in talking about our airplanes but it now hardly seems fitting.

    We cannot possibly cover the myriad of choices in such a short time, We can only give you enough information to ask informed questions. IAC is here to provide you with some answers. We have, within our membership ranks, hundreds of years of combined experience in just these types of airplanes. You have but to ask. 

 

   

     
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